toonboom storyboard pro animating layers

We heard that one of your first jobs was with Roger Corman, The Pope of Pop Cinema. Around that time, Steven Spielberg brought seaQuest to town - I pushed my way in until I was hired as their story artist and never looked back. I made the switch to full-time storyboarding when I was an art director at Nickelodeon in Orlando. I was an art director in Hollywood for years, but missed drawing so I got Storyboards, Inc.

When digital ink and paint appeared years after, I taught myself how to use it, built a portfolio and landed Disney as my first client when I animated Tinker Bell for the Disney Cruise Lines. MS: I got into animation by failing in the 80s and getting back into it later. How did you get into animation and storyboarding? Mark Simon’s animation and storyboarding background We sat down with Mark Simon to learn more about his visual storytelling career plus his tips, tricks and advice for young storyboard artists using Storyboard Pro. The tool he trusts to bring his talent to life? Toon Boom Storyboard Pro.

Over his three-decade career, he has transitioned from paper to digital solutions. Having worked on nearly 5,000 productions, from Woody Woodpecker to The Walking Dead, and won over 200 international awards, Simon has earned a reputation as a masterful visual storyteller.

His storied career (pardon the pun) has included being a story artist, producer and director for both live-action and animated projects, as well as authoring 10 popular industry texts and writing for major trade publications. who is celebrating 30 years of storyboarding this month. Mark Simon is an Atlanta-based entrepreneur and president of Storyboards & Animatics, Inc.

Toonboom storyboard pro animating layers